1. Consolations in Color
SOLO PHOTOGRAPHY EXHIBITION
Fine Art Photography, Visual Identity, Art Direction, Web Design, Apparel Design
Fine Art Photography, Visual Identity, Art Direction, Web Design, Apparel Design
YEAR:
2022
2022
To tell the story behind each piece in the gallery, I created a module-based web experience from scratch that guides users through storytelling elements that explore the story behind each image.
MODULES
In addition to providing digital access to the photos, the experience also includes media that transpired the same day that each piece was created.
In addition to providing digital access to the photos, the experience also includes media that transpired the same day that each piece was created.
1. PALETTE
The main focus of this exhibit was centered around color. The goal was to push color in tandem with the story being coneyed with each image.
2. ADDITIONAL PHOTOS
By including photos that I took on my phone the same day I captured each image, visitors gain context behind what inspired the piece.
3. CAPTURE DATE
Including the data gives visitors the ability to put the gallery together in a timeline, and experience the style development over time.
4. LOCATION
This data prompts visitors to go explore on their own, and experience the photographic approach for themselves. All images were captured in Salt Lake City, Utah, where the gallery was hosted and where I lived during the project.
5. CIRCULATING THOUGHTS
Visitors at the physical exhibit had access to direct conversation to learn more about each piece. This section provides digital access to the same information.
6. MUSIC
Visuals and audio have always maintained a dynamic conversation in my creation process. Each piece is accompanied by music that inspired both the capture and edit.
The main focus of this exhibit was centered around color. The goal was to push color in tandem with the story being coneyed with each image.
2. ADDITIONAL PHOTOS
By including photos that I took on my phone the same day I captured each image, visitors gain context behind what inspired the piece.
3. CAPTURE DATE
Including the data gives visitors the ability to put the gallery together in a timeline, and experience the style development over time.
4. LOCATION
This data prompts visitors to go explore on their own, and experience the photographic approach for themselves. All images were captured in Salt Lake City, Utah, where the gallery was hosted and where I lived during the project.
5. CIRCULATING THOUGHTS
Visitors at the physical exhibit had access to direct conversation to learn more about each piece. This section provides digital access to the same information.
6. MUSIC
Visuals and audio have always maintained a dynamic conversation in my creation process. Each piece is accompanied by music that inspired both the capture and edit.
Overseeing the project wholisticly guided me to leverage outside creative’s to help push the gallery forward. The goal of the (digital announcement︎︎︎)was to tease the gallery content while still immersing viewers in the world being built around the work.
ANNOUNCEMENT
- Print
A series of 6 11x17 posters were posted around SLC to promote the event, to provide a glimpse of the work shown at the gallery and plant the first stake in the world-building process.
Shirts were designed by myself and printed collaboratively with Fice Gallery, available for sale in-store and(online︎︎︎)for the exhibition’s opening night. Pushing beyond a simple photo application, the goal was to produce garmets that can be worn to both represent the photographic work and graphic identity.
PLAYLIST
- Cover Design, Curation
- Cover Design, Curation
Prepared for the gallery’s opening reception. A four hour long set that guides visitors through the experience.
